Heritage

Journal: Heritage

Publisher

MDPI

ISSN

2571-9408

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Publications 1 - 6 of 6

The Idea of Cultural Heritage in Border Neighbourhoods of West-Berlin in 1976–1978
Domènech Rodríguez, Marta; López López, David (2023)
Heritage
The celebration of the European Year of Architectural Heritage in 1975 in Amsterdam had a great impact on architectural debate in West Berlin, which held a similar event one year later entitled A future for our past. There was a climate of great tension in the city between the precursors of the urban development plans and the social movements in the affected neighborhoods. The article discusses the extent to which a methodological change was possible, from an approach that obliterated the existing new proposals in order to readjust the role of heritage in the urban reconstruction. The idea of declaring existing urban fabric as patrimony became the central debate of this period, in which the idea of demolition and replacement became an expression of social inequality. This article comparatively analyzes the celebration of two proposals promoted by Berlin’s architectural senator Hans C. Müller in 1976: The pilot project for Block 118 in Charlottenburg and the Symposium on Urban Structure and Urban Form in Tiergarten Süd. Two innovative and methodologically distinct approaches were to establish the principles that would regulate the internationally known reconstruction of the IBA, both the Old and the New, two years later.
Zonal reconstruction of daylighting in historic built environments: A workflow to model and evaluate light in spatial and temporal domains
Grobe, Lars Oliver; Noback, Andreas; Wasilewski, Stephen W.; et al. (2024)
Heritage
Computer simulation allows to study daylight conditions in the past that afforded activities in antique buildings. The Python module phos4dtools implements the efficient computation of zonal daylight metrics that are considered to indicate affordances. It was employed to solve horizontal and vertical illuminance for different orientations and elevations in the House of the Priestesses, a unit of the Hadrianic Garden Houses complex in Ostia. A reconstruction model of the unit was produced by collating an existing, detailed 3D documentation with other sources and our own survey data. The spatially and temporally resolved results of daylight simulation employing phos4dtools were imported into a GIS database. Assuming typical reflectance properties, illuminance thresholds were determined that are required for the perception of contrast detail and colour differences. Integration over temporal periods and spatial zones that are eligible for residential activities was implemented by queries to the database. First, preliminary results indicated different distributions of affordances by daylight, depending on the characteristics of the considered visual tasks. Horizontal illuminance decreases quickly with increasing distance to the aperture, suggesting that activities bound to a horizontal work plane were constraint to the immediate adjacency of windows and potentially open doors. Vertical illuminance, on the other hand, reaches deep into the building when the receiving surface is oriented to a window, particularly in the absence of exterior obstructions. The exemplary application of phos4dtools shows its potential in the interdisciplinary research on daylight and its implications on living practice in antique buildings.
Travel to Greece and Polychromy in the 19th Century: Mutations of Ideals of Beauty and Greek Antiquities
Charitonidou, Marianna (2022)
Heritage
The article examines the collaborations between the pensionnaires of the Villa Medici in Rome and the members of the French School of Athens, shedding light on the complex relationships between architecture, art, and archeology. The second half of the 19th century was a period during which the exchanges and collaborations between archaeologists, artists, and architects acquired a reinvented role and a dominant place. Within such a context, Athens was the place par excellence, where the encounter between these three disciplines took place. The main objective of the article is to render explicit how the revelations of archeology, actively disseminated by the members of the French School of Athens—the “Athéniens”—had an important impact on the approach of certain pensionnaires of the Villa Medici in Rome. Particular emphasis is placed on certain pensionnaires, who decided to devote their envois to ancient monuments of Greece. In parallel, the article intends to shed light on the methods that helped the pensionnaires-architects of the Villa Medici in Rome appropriate archaeological discoveries concerning Greek antiquities. The article takes, as a starting point, the following hypothesis: to better understand the figure of the architect-archaeologist, of whom Jacques Ignace Hittorff is an emblematic example, it is pivotal to bear in mind that before the second half of the 19th century neither the figure of Hellenic archeology nor the figure of the architect had yet acquired their autonomy. Taking into account that Johann Joachim Winckelmann, in the middle of the 18th century, forged an ideal Greek model, which was criticized during the second half of the 19th century, the article also sheds light on the fact that the revelations of archaeologists have called into question the Winckelmannian image of Greece. Another aspect that is explored in the article is Jacques Ignace Hittorff’s studies concerning the polychromy of ancient Greek monuments, paying special attention to his Restitution du temple d’Empédocle à Sélinonte ou l’Architecture polychrome chez les Grecs. The article also explores how the shifts of the status of philhellenism are related to the mutations of the meaning of travel to Greece. In parallel, it investigates the impact of Greek independence on the ideals of beauty and nature in arts, as well as how Greek independence is related to the intensification of the interest in the excavations of Greek antiquities.
A Roadmap for Craft Understanding, Education, Training, and Preservation
Zabulis, Xenophon; Partarakis, Nikolaos; Demeridou, Ioanna; et al. (2023)
Heritage
A roadmap is proposed that defines a systematic approach for craft preservation and its evaluation. The proposed roadmap aims to deepen craft understanding so that blueprints of appropriate tools that support craft documentation, education, and training can be designed while achieving preservation through the stimulation and diversification of practitioner income. In addition to this roadmap, an evaluation strategy is proposed to validate the efficacy of the developed results and provide a benchmark for the efficacy of craft preservation approaches. The proposed contribution aims at the catalyzation of craft education and training with digital aids, widening access and engagement to crafts, economizing learning, increasing exercisability, and relaxing remoteness constraints in craft learning.
Revisiting Giancarlo De Carlo’s Participatory Design Approach: From the Representation of Designers to the Representation of Users
Charitonidou, Marianna (2021)
Heritage
The article examines the principles of Giancarlo De Carlo’s design approach. It pays special attention to his critique of the modernist functionalist logic, which was based on a simplified understanding of users. De Carlo′s participatory design approach was related to his intention to replace of the linear design process characterising the modernist approaches with a non-hierarchical model. Such a non-hierarchical model was applied to the design of the Nuovo Villaggio Matteotti in Terni among other projects. A characteristic of the design approach applied in the case of the Nuovo Villaggio Matteotti is the attention paid to the role of inhabitants during the different phases of the design process. The article explores how De Carlo’s “participatory design” criticised the functionalist approaches of pre-war modernist architects. It analyses De Carlo’s theory and describes how it was made manifest in his architectural practice—particularly in the design for the Nuovo Villaggio Matteotti and the master plan for Urbino—in his teaching and exhibition activities, and in the manner his buildings were photographs and represented through drawings and sketches. The work of Giancarlo De Carlo and, especially, his design methods in the case of the Nuovo Villaggio Matteotti can help us reveal the myths of participatory design approaches within the framework of their endeavour to replace the representation of designers by a representation of users. The article relates the potentials and limits of De Carlo’s participatory design approach to more contemporary concepts such as “negotiated planning”, “co-production”, and “crossbenching”. The article also intends to explore whether there is consistency between De Carlo’s theory of participation and its application.
Integrating Material Analysis, Radiocarbon Dating, and Technical Examination in the Dating and Provenance Study of a Copy of Raphael’s “The Great Holy Family of Francis I”
Ferreira, Ester S.B.; Hoffmann, Charlotte; Hendriks, Laura; et al. (2025)
Heritage
In 2016, five fragments from a copy of “The Great Holy Family of Francis I” were brought to the Cologne Institute of Conservation Sciences (CICS) for research and conserva-tion/restoration. A comprehensive technical and material analysis was carried out to as-sist provenance studies. From the analysis of pigments, binder, additives, and canvas fi-bres alongside radiocarbon dating of the lead white pigment, oil binder, and canvas sup-port, as well as the lead stable isotope study, it could be determined that, with high proba-bility, the copy was created in Northern Europe between the late 16th century and the mid-17th century. During this period the original painting was initially displayed in Fon-tainebleau in the “Chapelle Haute” before being transferred in the early 17th century to the newly built “Cabinet des Peintures”, also in Fontainebleau, where it would probably have been more accessible for copying. Interestingly, the written sources describe a copy made during this period to replace the original in the “Chapelle Haute”, the location of which is currently not known. However, the different overall dimensions of the present copy speak against it, having been created to replace the original.

Publications 1 - 6 of 6

Journal: Heritage

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