Neurocognitive control in dance perception and performance
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Date
2012-02
Publication Type
Journal Article
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no
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Abstract
Dance is a rich source of material for researchers interested in the integration of movement and cognition. The multiple aspects of embodied cognition involved in performing and perceiving dance have inspired sci- entists to use dance as a means for studying motor control, expertise, and action-perception links. The aim of this review is to present basic research on cognitive and neural processes implicated in the execution, expres- sion, and observation of dance, and to bring into relief contemporary issues and open research questions. The review addresses six topics: 1) dancers' exemplary motor control, in terms of postural control, equilibrium maintenance, and stabilization; 2) how dancers' timing and on-line synchronization are influenced by atten- tion demands and motor experience; 3) the critical roles played by sequence learning and memory; 4) how dancers make strategic use of visual and motor imagery; 5) the insights into the neural coupling between ac- tion and perception yielded through exploration of the brain architecture mediating dance observation; and 6) a neuroesthetics perspective that sheds new light on the way audiences perceive and evaluate dance ex- pression. Current and emerging issues are presented regarding future directions that will facilitate the ongo- ing dialog between science and dance.
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Publication status
published
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Book title
Journal / series
Volume
139 (2)
Pages / Article No.
300 - 308
Publisher
Elsevier
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Edition / version
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Software
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Date collected
Date created
Subject
Motor control; Memory; Action observation networkImagery; Motor simulation; Synchronization; Esthetics
Organisational unit
09800 - Cross, Emily S. / Cross, Emily S.