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dc.contributor.author
Charitonidou, Marianna
dc.date.accessioned
2022-07-19T07:41:03Z
dc.date.available
2022-02-22T14:39:57Z
dc.date.available
2022-02-22T16:10:25Z
dc.date.available
2022-03-18T13:00:32Z
dc.date.available
2022-05-10T09:04:53Z
dc.date.available
2022-06-02T10:46:48Z
dc.date.available
2022-07-19T07:41:03Z
dc.date.issued
2022
dc.identifier.issn
1470-2029
dc.identifier.issn
1758-9185
dc.identifier.other
10.1080/14702029.2021.2022292
en_US
dc.identifier.uri
http://hdl.handle.net/20.500.11850/533742
dc.identifier.doi
10.3929/ethz-b-000533742
dc.description.abstract
Departing from the intention to explore Frank Gehry’s drawings serving to their own designer to grasp ideas during the process of their genesis, the article examines Frank Gehry’s concern about the revelation of the first gestural drawings and all the sketches and working models concerning the evolution of his projects, and his intention to capture the successive transformation and progressive concretisation of architectural concepts. The article also compares Gehry’s design process with that of Enric Miralles, Alvar Aalto, Bernard Tschumi, and Le Corbusier. It sheds light on Miralles, Aalto, Le Corbusier and Gehry’s interest in a holistic understanding of all the parts of an architectural project, which is expressed through their tendency to draw the different sketches concerning the same project on the same sheet of paper. At the core of Gehry’s design approach is the osmosis of function and morphology. This aspect of his design vision could be compared to Alvar Aalto’s design process. At the core of the article are the distinction between communication drawings and conceptual drawings, and Gehry’s concern about achieving an osmosis between function and morphology. The article also investigates Gehry’s use of uninterrupted self-twisting line in his sketches, exploring his intention to enhance a straightforward relationship between the gesture and the decision-making regarding the form of the building.
en_US
dc.format
application/pdf
en_US
dc.language.iso
en
en_US
dc.publisher
Routledge
en_US
dc.rights.uri
http://creativecommons.org/licenses/by/4.0/
dc.subject
Frank Gehry
en_US
dc.subject
Architectural drawings
en_US
dc.subject
gesture
en_US
dc.subject
Enric Miralles
en_US
dc.subject
Alvar Aalto
en_US
dc.subject
Bernard Tschumi
en_US
dc.subject
Le Corbusier
en_US
dc.subject
Architectural theory
en_US
dc.subject
Art History
en_US
dc.title
Frank Gehry’s non-trivial drawings as gestures: drawdlings and a kinaesthetic approach to architecture
en_US
dc.type
Journal Article
dc.rights.license
Creative Commons Attribution 4.0 International
dc.date.published
2022-02-22
ethz.journal.title
Journal of Visual Art Practice
ethz.journal.volume
21
en_US
ethz.journal.issue
2
en_US
ethz.pages.start
147
en_US
ethz.pages.end
174
en_US
ethz.size
28 p.
en_US
ethz.version.deposit
publishedVersion
en_US
ethz.identifier.scopus
ethz.publication.place
London
en_US
ethz.publication.status
published
en_US
ethz.leitzahl
ETH Zürich::00002 - ETH Zürich::00012 - Lehre und Forschung::00007 - Departemente::02100 - Dep. Architektur / Dep. of Architecture::02601 - Inst. f. Geschichte u. Theorie der Arch. / Inst. History and Theory of Architecture::09643 - Avermaete, Tom / Avermaete, Tom
en_US
ethz.leitzahl
ETH Zürich::00002 - ETH Zürich::00012 - Lehre und Forschung::00007 - Departemente::02100 - Dep. Architektur / Dep. of Architecture::02655 - Netzwerk Stadt u. Landschaft ARCH u BAUG / Network City and Landscape ARCH and BAUG
en_US
ethz.date.deposited
2022-02-22T14:40:06Z
ethz.source
FORM
ethz.eth
yes
en_US
ethz.availability
Open access
en_US
ethz.rosetta.installDate
2022-07-19T07:41:11Z
ethz.rosetta.lastUpdated
2022-07-19T07:41:11Z
ethz.rosetta.exportRequired
true
ethz.rosetta.versionExported
true
ethz.COinS
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